a mesmerizing and meditative collaboration from devendra banhart and noah georgeson.

sraunus definitely been in the zone lately. he is back with Òequal melodiesÓ, his second album for greyscale. this is also his second album this year and his tenth album ever released. one note can be a melody, it is only important that the wind blows when youÕre listening to it. nine equal melodies with more than 75 minutes playtime and with sraunus signature organic sound will take you to the magic forest for a serious lush trip. highly recommended! album comes in a very special, 3rd gen, greyscale hardback book type package. hand-assembled, glued and cellophane wrapped with love. released on pressed cd for the best possible quality and extended longevity. limited to 200 copies worldwide. no repress!!

2 cds unmixed with hard-back book case

ambient masterpiece

3xcd departed in sight, soundand spacce. packed in hard-back book sleeve

3cd+dvd+120pg book+poster edition features 60x40cm poster

if there is one album that we would take with us an a desert island its this one. the worst of krtm is one of the most refreshing records we have heard in a long time. perfectly blending industrial techno and hardcore to one unique beautiful/terrifying work of art. we could almost write a book on how unique and great this album is but lets just stop here and let the music do the talking. all hail krtm!

surgeonÕs new full-length, luminosity device, takes bardo thoedol - the tibetan book of the dead - as a starting point for a rhythmic journey into those interstitial spaces where body, mind, and soul no longer seem like distinct categories. it has the potential to turn anything from a club visit to a train commute into a collision with the otherworldly.

das 1977er-album plus einige fruehere hits der jamaikanischen vokalgruppe.the ethiopians zaehlten zu den beruehmten und beliebtesten jamaikanischen gesangstruppen. gr�nder lenard dillon, der seine gesangskarriere in clement coxonne dodds legendaerem studio one begann, nahm zunaechst unter dem namen jack sparrow zusammen mit den wailers auf, um dann mit stephan taylor and aston charlie morris die ethiopians zu gruenden

mental groove records is thrilled to announce bigenerics new double album entitled spielmanda in collaboration with the artist own inzec imprint. swiss artist marco repetto is the chromatic brain behind bigeneric musical project and has a strong background in the burgeoning scenes of minimal synth (grauzone with stephan eicher), early techno (synectics on aphex twins rephlex imprint) and ambient / trance (planet love on superstition). spielmanda album reflects the artist deep love for nature, psychedelia, health and futurism. the title is borrowed from a book by berner writer and myths researcher sergius golowin and is a fictional legendary and mystic place in the swiss pre-alps, a place that marco repetto explores through the 16 tracks of this album that he has constructed and tested at numerous performances. a truly justified and bright +2 hours long daydreaming walk across the deep forests and infinitively colorful meadows of imaginary spielmandas landscapes and beyond, with marco repettos heart rebel signature, a unique and modern mixture of technology driven hippie & punk culture. 117th release from versatile swiss imprint mental groove records (donato dozzy, bruno spoerri, eduardo de la calle, kenji kawaii, orlando voorn, nate krafft, sinner dc, orbe, lugano fell, keiichi tanaka, tommasso cappelatoÉ)

ten walls debut album ÒqueenÓ the long awaited debut album from the highly talented dance music producer and artist ten walls called -queen- will be available from the mid of march in a double cd package. ÒqueenÓ is an organic album consisting out of two parts. first part unravels into a story told through the fusion of strong classical influences, nu jazz, down-tempo electronica, indie & house. itÕs destined to captivate attention with the emphasis on feeling through listening. second part on the other hand is oriented towards feeling through movement and better reflects the side of ten walls known to the dancefloors. this album as one piece, just divided into two physical cdÕs. the package of the album looks like a book - a piece of art. the book includes photos, reflecting each track. Òi have pictured these musical pieces in my mind, as itÕs natural for the artist to exceed the professional competence and search for additional forms that would supplement your work, making it single piece of art.Ó - adds marijus (ten walls). the combination of arts is a very important thing to be noticed, each of them has itÕs space, place and role in the album. poetry and lyrics, photography / visual arts and music, altogether they make ÒqueenÓ more than just a music album. ten walls also made collaborations with very wide and different spectrum of musicians during the creation of his debut album ÒqueenÓ. renowned maestro petras geniu_as, good old friend vytautas sondeckis who contributed with a cello masterpiece, bass guitar domas aleksa, drummer marijus aleksa, singers jonatan b�ckelie, alx , monika liu, marijusÕ spiritual friend and teacher andrew, conductor ri?ardas _umila and nonet performers

2 cds of the hottest tropical house!tracks & remixes from kygo, jonas blue, sigala, imany, philip george, duke dumont, lost frequencies, thomas jack, felix jaehn & robin schulz

two years ago i played at studio 9 in vilnius, lithuania. the following day i missed my flight home and ended up spending an extra day, which gave me a chance to explore the city with my friend linus, who took me to the contemporary art centre. it was there i spotted a book named ÔrojusÕ, that linus told me translated as ÔparadiseÕ. the word and striking cover of the book stuck in my mind. a few days after returning home, i turned on to a national geographic documentary named Ôdesigned to danceÕ, explaining the courtship rituals of birds of paradise. as i watched, i jokingly began drawing similarities between these birdsÕ attempts to captivate and impress the opposite sex with dance, and the way strangers try to attract one another in clubs and interact on the dance floor. this gave me the idea of creating a record of functional club music, sequenced as if it were a club night, from doors to closing, using samples of these birds of paradise and their habitat. thus, rojus. leon vynehall 2016

chilled house session- geht in die n�chste runde. der siebte teil �berzeugt erneut durch ein starkes tracklisting in sachen house mit pop-appeal! mit von der partie sind tracks und remixe von den uk-hitlieferanten ellie goulding, sigala, disclosure oder kda, poppige house-tracks von lost frequencies und robin schulz sowie club hits und remixe von solomun, john talabot, tensnake, joris voorn oder recondite. 40 hits, die uns den fr�hling und sommer vers�§en werden!

inklusive der angesagtesten house- und vocal house-tracks/remixes der diesj�hrigen saison von sigala, ellie goulding, felix jaehn feat. polina, years & years, disclosure feat. sam smith, groove armada, jamie xx feat. romy, boris dlugosch, freischwimmer, claptone, maribou state

doppel cd mit 61 tanzbaren r&b- und soul-songs aus den 50er und fr�hen 60er jahren. die sammlung wurde von der journalistin und r&b-kennerin lois wilson zusammengestellt und annotiert, die auch f�r get on the right track, right on und ain t gonna hush verantwortlich war. mit dabei sind songs von namhaften k�nstlern wie ray charles, etta james, jackie wilson, james brown und ike and tina turner, aber auch vielen unbekannten k�nstern, die es zu entdecken gilt

it is almost hard to believe and we are looking for that wormwhole that brought us here as we are already looking at the arrival of compilation number * o *. and we rather do not start thinking about the endless wordplays we could do with the * story of o*, however we have to admit that this special * o-edition* comes with an extra portion of deepness, soul and yes, even sex

walk dance talk sing is the seventh album by much-loved crazy p aka danielle moore, jim baron and chris toddy todd.

modeselektion vol. 03- kommt erstmals ohne eigenen modeselektor-beitrag aus (vom souleyman-edit mal abgesehen), einfach, weil es so viel gute musik von alten und neuen freunden gab. das ganze ist daher erstmals auf einer zweifach-cd zu haben, au§erdem als digital bundle und, leicht abgespeckt, auch als doppel-12-inch-lp sowie auf zwei ep-auskopplungen auf vinyl. 19 tracks, lauter s�§e fr�chtchen. das maskottchen ist diesmal nicht umsonst der ananasaffe.

cocoon ibiza turns fifteen! finally, its summer and we cant wait to pack our bikinis and flip-flops again for our annual trip to the island

f�nfter teil der hervorragenden zusammenstellung -the array- mit raren titeln aus den bereichen cosmic disco, 80er jahre synthesizer tracks, balearic tunes und house-not-house. diesmal mit dabei: daniele baldelli & dj rocca im andy weatherall remix, rayko, hiem, je couleur, headpocket, brioski, max essa, kim and buran, lasertom, james bright ft. melanie williams, jmrs, u.v.a.

die beiden de la soul rapper (plug 1/pos & plug 2/dave) pr�sentieren ihr projekt >first serve<, bei dem sie sich mit dem franz�sischen produzententeam 2 & 4 (aka chokolate & khalid) zusammengetan haben. das konzeptalbum erz�hlt die geschichte ihrer alter egos deen whitter und jacob pop life barrow, zwei freunde aus queens/ny mit gro§en tr�umen und noch gr�§eren skills. first serve spiegelt hip hop sound wieder, der gleichzeitig den euphorischen old school-, funkund disco-vibe der sp�ten 1970er atmet und an den innovativen sound der new school aera erinnert.

ex-harry pussy guitarist bill orcutt s 2009 side a new way to pay old debts was an instant classic for those attuned to his brand of stomach-scrapingly raw, hoary blues improvisation. few could have expected the album to be subsequently issued on cd by editions mego, but the more you thought about it the more it made sense - though all-acoustic, orcutt s music is every bit as extreme, violent and threshold-testing as that of, say, florian hecker, russell haswell or mika vainio. as if to prove it wasn t a token gesture towards eclecticism, mego boss peter rehberg has signed a brand new album from orcutt, and what an album it is. for the most part it s in that visceral, coruscating style that he s best known for, all finger-bleeding fretboard assaults that manage to sound at once virtuoso and completely out-of-control, reaching a psychotic climax on the visible bosom: but there are some more reflective passages too, hell, the title track might even be the most chilled thing he s ever recorded. the album was cut at d+m in berlin, which really teases every last drop of blood, sweat and tears out of the recording, which took place at orcutt s home studio in san francisco in spring of 2011. brutal, bludgeoning but incurably romantic, how the thing sings demands your steadfast attention. mind-blowing.

ltd cd comes in deluxe packaging with 36 page book.

mikael feels very lucky that he had the chance to work with artists who he admires and trust.etten is the voice of this project, however, in a mysterious way her voice sounds like the listeners inner voice .billie ray martin in her also excellent performance confesses to us her oedipal relationship with her mother, this constant bond we are all prisoners of. tech me away is an album made of sounds and references to good old techno. mikael didnt follow whats in fashion in music at all. he only followed his instinct.

thirty-five precious, stinging selections from an hmv run of more than four hundred 78s, recordings made in uganda and kenya from the mid-1930s till the mid-1950s.three main types of performance are featured (not forgetting a lovely early kenyan big-band calypso, as if straight from the pen of lord kitchener).luxuriously presented, like a small hard-cover book, with full notes, including extensive translation, and haunting photographs with the recordings brilliantly restored at abbey road

kode9s grasp on the throat of bass music in 2010 is almost unparalleled. his trend setting record label, hyperdub, is in its sixth year of viral contagion, hes become a published author on the theory of sound abuse and sonic frequencies being used as weaponry in his book >sonic warfare< and his production work has mutated from an almost simplistic marriage of beats and sine waves into a fusion of dancefloor ebonics and discordant synths!

>sidonia< opens, immediately announcing that this wont be merely business as usual. with its groaning sub-bass and flickering percussive flashes, the track echoes the dubby, drifting melancholy of classic warp records-always, in truth, a key influence for cadenza. bells and voices lend an atmosphere of shimmering energy thats carried over into >around the angel< which sails jubilantly forward, propelled by intricate polyrhythms and uplifting female vocals.